Gender Representation in Horror
Some would argue that Horror represents genre in ways
somewhat more progressive than other genres, or the media in general. There are
a fair few arguments towards this, one is in the form of a book written by
Carol Clover called Men Women and Chainsaws, which I will discuss later
on, but I’ll begin by taking a look at how Genre, and women in particular are
represented in general media.
For some time the media has represented women rather
conservatively, almost mirroring how women are represented in our society.
There was a time where it would’ve be unusual to see women out of the house and
working, research gathered in 1992 show us that on screen women are outnumbered
by men 2:1, males were more likely to be shown out of the house, working and
having authority as well, see what I meant about how media has mirrored
society?
This research has proven that when it comes to how women are
represented in the media, visibility is an issue. Before we can try to improve
and better the conservative representation we’re almost knocked back by the
fact that women don’t have as much screen time as men, but that aside, there
are other matters that have been brought to light, particularly about what
roles women play.
In 1983, Jeremy Tunstall write a book called The Media in
Britain, in which he took a look at various reports and research and came
to a conclusion about how we portray women in the media in the form of
categories. He goes on to say that there are 4 different categories in which we
can place women in typical media by looking at what characteristics in their
character are emphasised.
The categories are:
·
Domestic, the stay at home woman.
·
Sexual, when a woman is viewed as a sex object.
·
Consumer, shown to be avid shoppers or the
target for advertisements/products.
·
Familiar, when referred to as the wife of or
mother of rather than as themselves.
I’ve tried to do this by watching a television soap, and
said to myself to bear in mind these results were published in 1983 and I might
have difficulty placing women on screen, but the sad fact is that I didn’t.
Almost every woman on screen could be categorised, if we are progressing it’s
clearly not with the general media.
There is however, some advancement
of progressing representation in horror, and to start off I’m going to look at
John Carpenters Slasher Flick, Halloween (1978).
So, in relation to the 4 types of
women outlined above, can we put the women of Halloween into the categories?
First off we have Judith, she is represented as a sex object as she is topless,
shown having sex and seen from a POV shot, and is also referred to as the
sister of Michael Myers also placing her under the Familiar category. Annie,
Linda and Laurie all follow the stereotypes too, Laurie to a lesser extent but
I’ll get to that later. Annie and Linda are both sexual, one of which has sex
during the film and the other intends to, and Annie is shown to be the daughter
of the town sheriff an equally as prominent character in the film so is
Familial just like Judith. So far we haven’t progressed much, the girls still
follow the stereotypes but is this the case for other Horror films?
The Shining (1982) only
really has one prominent female character, Wendy. First off she is referred to
as the wife of Jack and mother of Danny; she is later shown to be submissive,
weak and almost loyal to Jack and despite wearing more masculine clothes and
doing Jack’s more “Manly” work for him she fits into the categories, mainly in
the Familial and Domestic sections.
In the same movie, we have
snippets of sexual representation with the woman in the bathtub, she is seen by
us in a POV from Jack’s perspective completely naked, and attractive to Jack
and due to the POV, to us.
Eden Lake (2008) has
characters that fit into some of the roles, the protagonist Jenny fits into the
Domestic role as her job as a nursery teacher is almost the same as a nanny or
child career, she’s also referred to as the girlfriend and would-be fiancĂ© of
Steve, she is also seen as sexual during a scene where antagonist Brett ‘pervs’
on her wearing a bikini through a pair of binoculars but we can almost
disregard that due to the context it is in. The mothers of the children are
clearly shown in a Familial role, they’re names are never mentioned and are
only referred to as a wife or mother.
The only other prominent female
character is one of the gang members, Paige, she is shown somewhat tomboyish,
slightly sexual during the beach scene but rather passive and submissive as
well as she takes orders from Brett to video them torturing Steve and Jenny but
has no part in the actual torture.
The categories aren’t the only way
women are represented, I briefly touched on how women were viewed technically
in a sexual role, and this can be elaborated to further mention how camera work
and various types of shots can objectify women as sexual, and the use of this
is known as the “Male Gaze”.
During some films, when women are
to be objectified in a sexual way various camera techniques are used. For
example a POV from a male perspective where the camera may tilt up and down the
woman’s body as if we were eyeing her up, and in some shots parts of her body
would be segmented for example only showing her legs encourage us to look at
her as a nice pair of legs, rather than another character.
Examples can be seen in both Halloween
and The Shining. In Halloween Judith and Linda are seen from POV shots so we
identify with the male character looking at them (Strangely this is the
murderer, Michael, which prompts the question, does Michael view these women in
the same sexual light?) as is the woman in the bath tub in The Shining.
Luckily not all female characters
are objectified like this, there are 4 in particular, 3 of which follow the
same theme of Carol Clover’s “Final Girl” mentioned nin Men Women and
Chainsaws. Laurie, Wendy and Jenny are depicted as finals girls for a number of
reasons. All of them are there for the audience to relate to rather than
objectify, unlike her unfortunate friends, Laurie is far from sexual, has a
more masculine name and even has physical masculine features, because of this
she is an androgynous character.
Wendy and Jenny are both somewhat
different as they’re not very androgynous, both have femining names, look and
dress more feminine (Jenny at least, Wendy is often seen in work overalls) but
what they do have in common with Laurie is the fact that they survive. The
whole point of the final girl is having a female character as the protagonist
that the audience can relate too, and we can’t relate to them if they’re offed
30 minutes into the film. For the most part all three survive and over-come the
antagonist, we can somewhat ignore the fact that Jenny dies at the end of Eden
Lake as this is so far on in the film.
Other than the final girl the only
other non-objectified female character would be the bath-tub woman in The
Shining. Whilst she is objectified to start off with she turns into a corpse,
complete with horrible wounds and hag-like features, which undermine the
initial objectification.
Having the final girl means a lot
in media, Horror is unlike many other genres because it has a female character
as a point of identification rather than your typical action hero like Bruce
Willis in Die Hard, although other genres have touched on the idea, such as
Sigourney Weaver playing female protagonist Ripley and your typical kick-ass
woman in Alien (1979).
With that aside we can finish with
the narrative and the issues the narrative contains regarding representation of
women. First off, we have the simple idea of sex = death. In Halloween Judith,
Annie and Linda are seemingly punished for having sex or wanting to have sex,
could this be a punishment for simply not being aware of Michael’s presence or
to punish women for breaking rules? If so, it is a very conservative idea.
Staying on the theme of deaths, In
Halloween the majority of characters that die are women, whereas The Shining
has an equal number of deaths between men and women and the reaper seems to
favour men over women and Eden Lake, I find it particularly odd that the film
to popularize the final girl does in fact have some seriously conservative
idea, although director John Carpenter has said himself that Laurie was spared
because she wasn’t focused on having sex and because aware of Michael which
implies Annie and Linda were killed because they were focused on sex.
In conclusion, the Horror genre
defiantly seems to have the right ideas when it comes to progressive and less
sexist representation of women. Whilst it will take time to completely get rid
of the conservative ideas such as sexual objectification (Which I personally
believe will still be around for many years unfortunately) we’re certainly on
the right track, and like I said at the start media does seem to be mirroring
our society as women are getting out of the house, having occupations
especially those with power such as being in the police service or being a
politician.
I’m genuinely interested in where
we go with this, and in 20 or so years, comparing how the media represents
women compared to now would certainly be fascinating.